Workshop History Creating a collaborative piece while discussing the future of image making and reviewing your own work. It's always difficult to describe workshops especially when the Tutor is pushing the edges of our mediums envelope. Words fail me but I can tell you that along with Tim Macmillan's this is the one for me this year! (ed aka Peter Goldfield) About Susan Derges Susan studied painting at Chelsea School of Art in 1973">
Workshop History
Creating a collaborative piece while discussing the future of image making
and reviewing your own work. It's always difficult to describe workshops especially when the Tutor is
pushing the edges of our mediums envelope. Words fail me but I can tell you that
along with Tim
Macmillan's this is the one for me this year! (ed aka Peter Goldfield) About Susan Derges
Susan studied painting at Chelsea School of Art in 1973, Painting and computer graphics
at The Slade in1978 and researched into audio-visual media at Tsukuba University, Japan in
1982. She has exhibited widely - for those that don't know her breathtakingly beautiful
images, the titles of shows in London, Berlin, Tokyo or New York may give a clue: Machine
Dreams, Phenomenart, Between Sun and Earth, Growth and Form, Full Circle and Embodied. New
work can be seen in 1996/7 at the Jeffry Fraenkel Gallery, San Francisco, the Hue-Williams
Gallery, London and the James Danziger Gallery, New York. Susan lectures at The University
of Plymouth in Exeter. Today her work is concerned with the natural rhythms and cycles of
nature, using light to fix the metamorphoses of various life forms such as toads and bees
directly as photographic imprints, evoking a sense of wonder and enchantment To quote Derges, quoting Ruskin "....when the eye grows
weary of the open landscape and the long views to its horizons, refreshment can be found
by focusing on the minutiae that lie at ones feet" Susan will examine how
images and sequences can be developed that reflect the innate qualities of a natural world
and is mediated through our own awareness. How to say more with less will provide a way to
invent and discover new ways of working with light, transparency, opacity, structure,
movement and change. We will examine processes such as sunprinting (cyanotypes) and
cameraless photography. this page updated:
25 September, 2007
Photographers at Duckspool - Broomfield
- Bridgwater - Somerset - TA5 2EG - UK
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